This past Friday, September 13th, Urukari Hall came alive with rhythm, laughter, and deeper meaning as the Umudiho Collective took the stage for a truly unique theater experience. Imana Y’umudiho transported the audience on a mystical, comedic quest to find the elusive “God of Rhythms.” Yet, the lesson wasn’t just in reaching the destination – it was in the journey itself, a journey filled with heart-pounding beats and life lessons.
At the core of the story are five young hippies, free spirits chasing after Nyampundu, the legendary drum believed to house the God of Rhythms. These wanderers cross unknown lands, driven by the belief that finding this magical beat will change their lives. But as their adventure unfolds, they discover something far more profound: the rhythm they’ve been hunting isn’t locked inside a drum. It’s everywhere—the wind, the rustling leaves, the beating of their hearts. The revelation hits: the rhythm of life is all around them, and more importantly, within them.
Speaking with SENS, actor, playwright, and project manager of the show, Rwasibo Nshuti, gave us a peek behind the curtains. He revealed that Imana Y’umudiho isn’t just about rhythms—it’s a tribute to African traditions with a modern twist. The show blends beats from across the continent, mixing global influences to create something both nostalgic and fresh. “We wanted to explore African rhythms with a wider approach,” Rwasibo shared, explaining the show’s vision of embracing the familiar while adding something new and exciting.
When asked about the creative process, Rwasibo laughed, saying, “At least 70% of our creation is made of editing.” The rehearsal process was a chaotic blend of wild ideas and intense creativity, an open space for craziness to flourish. It’s this unfiltered energy that makes Imana Y’umudiho stand out, with every moment on stage pulsing with life.
The production itself was a feast for the senses. The costumes, designed by Maison Inkindi, were vivid and bold, while choreography by Rusakiza Cedric brought every movement to life. The music, a blend of hip hop by Makare Fox, was created live by the cast themselves. There were no pre-recorded tracks; every beat was built into the performance, enhancing the story at every turn.
One thing that sets the Umudiho Collective apart is their mastery of physical comedy. Rather than relying on words for laughs, they use movement and rhythm to tell their stories. This inclusive approach makes their shows accessible to everyone, regardless of where they’re from or what language they speak. The director, Cedrick Rusakiza, brought his comedic genius to the project. This unique mix of physical comedy, music, and rhythm gave the play a universal appeal, breaking down language barriers and drawing the audience into the experience. When asked to describe Imana Y’umudiho in just three words, Rwasibo smiled and said, “Magnificent musical piece.”
The cast, made up of both seasoned actors and newcomers, grew alongside the show. For some, this was their first time on stage, and they absolutely nailed it. Everyone involved learned something new, refining their craft and finding fresh ways to bring the story to life. As Rwasibo explained, the rehearsal process was as magical as the performance itself.
So what do the creators hope audiences take away from this mystical, rhythmic journey? Laughter, happiness, and a deeper appreciation for the rhythms that surround us every day. As Rwasibo put it, “Everything is created with a rhythm to some extent.” Whether it’s the sound of the ocean, the rustling of leaves, or our own footsteps, the world is a symphony. Imana Y’umudiho is a beautiful celebration of that rhythm in all its forms.
Though Imana Y’umudiho closes the chapter on their Nahuye n’Umudiho project, the Umudiho Collective is already looking forward to new adventures. They’re committed to pushing the boundaries of Rwandan theater and inspiring the next generation of artists to step into the spotlight.
And when we asked who they’d love to invite to see their show, the answer was clear: the iconic Rwandan theater figure Dorcy Rugamba. Who knows? Maybe one day that dream will come true.
If you had the chance to see this theater, trust me when I say it was a vivid celebration of the sheer joy of being alive. As I walked out of the theater, it felt like the beats stayed with me, quietly playing in the background, reminding me that the rhythm has always been there, waiting to be noticed. It wasn’t just something to watch; it was something that pulled you in, making you feel part of something bigger or something timeless.
