{"id":8884,"date":"2025-03-24T08:51:21","date_gmt":"2025-03-24T08:51:21","guid":{"rendered":"https:\/\/sensmagazine.com\/rw\/?p=8884"},"modified":"2025-07-02T13:35:34","modified_gmt":"2025-07-02T13:35:34","slug":"cooking-up-style-the-journey-of-rwandas-kimono-king","status":"publish","type":"post","link":"https:\/\/sensmagazine.com\/rw\/cooking-up-style-the-journey-of-rwandas-kimono-king\/","title":{"rendered":"\u2018Cooking up\u2019 Style: The Journey of Rwanda\u2019s Kimono King\u00a0"},"content":{"rendered":"\n

You don\u2019t have to be a \u2018fashionista\u2019 to have a piece\/s of Kimono\u2013suspended in gentle repose, on a rod in the quiet corners of your wardrobe. Its loose fit\u2013a combination of style and comfort, coupled with protean powers (adapted to casual and formal settings), seamlessly make the attire a must-have. <\/p>\n\n\n\n

To Sakorn however, the garment\u2019s T-shaped silhouette\u2013wide sleeves and elaborate patterns, are a woven testament to the moments lived and those yet to be discovered. <\/p>\n\n\n\n

Born in a Dutch Thai family, Sakorn Somboon, also known as Ens\u014d struggled to \u2018fit\u2019. In Thailand where he was born, he was considered \u2018too big\u2019 to be Thai. The same applied to Holland where he was raised\u2013for he looked more Asian than Dutch.\u00a0London, where he mastered his chef craft served a rinse and repeat situation. So did Africa\u2013Ghana and Rwanda in particular. <\/p>\n\n\n\n

That, coupled with his sterile efforts to find clothes that suit his style while offering comfort, propelled him to start his own fashion line.\u00a0<\/p>\n\n\n\n

The Turning Point<\/strong><\/p>\n\n\n\n

Sarkon’s transformative moment came during a trip to Zanzibar. Enroute, he visited a couple of markets in Dar Es Salaam and Tanzania\u2013 \u2018falling in love\u2019 with the clothing designs and crafts, although the feeling was \u2018not that deep\u2019 to make him buy any souvenirs, nor think of taking up fashion designing as a career. This however changed when he ran into an elderly man at the airport who probed him about his profession.\u00a0<\/p>\n\n\n\n

On informing the ‘mysterious’ man that he was a chef, Sarkon was asked how he handled stress. \u201cI smoke, drink or go out,\u201d he responded. Only to be informed to get a hobby, particularly crafting.<\/p>\n\n\n\n

According to Mr. \u2018Mystery\u2019, the craft didn\u2019t have to be quintessential\u2013just anything that produced instant results, whilst helping Sakorn to relax in the process.<\/p>\n\n\n\n

Crafting the Kimono<\/strong><\/p>\n\n\n\n

Out of six prerequisites required to make a kimono: fabric, dyeing, cutting, assembling, sewing and adding accessories, Sarkon only ticked two (fabric and dyeing) on his return to Rwanda. A number too small to produce the garment. Thus, he consulted friends for assistance.<\/p>\n\n\n\n

\u201cI asked a friend if it was possible to get someone to teach me how to sew. The answer was \u2018yes\u2019, but at a cost,\u201d Sakorn explained.<\/p>\n\n\n\n

He added that despite his willingness to pay for the tailoring lessons, the amount was always too stiff diminishing the \u2018excitement\u2019 in learning. This propelled him to make use of the internet (YouTube and Pinterest).<\/p>\n\n\n\n

The platforms \u2018served\u2019 a manifold of styles to espouse. However, oftentimes, the clips were brisk for Sakorn to keep up\u2013redirecting him to Kimironko market for a one-one session with a \u2018professional\u2019 tailor. <\/p>\n\n\n\n

Unfortunately, his endeavors were futile\u2013partly because of language barrier and \u2018unprofessionalism\u2019 by the tailor.<\/p>\n\n\n\n

“I purchased a kitenge fabric and entrusted it to a tailor in Kimironko who had assured me she was skilled at making kimonos. Instead, she handed the fabric to her colleagues to do the work, leaving me unable to observe the process,” he shared.<\/p>\n\n\n\n

Nonetheless, he had a Kimono to take home at the end of the day. One that he would later use as a blueprint to make more kimonos.<\/p>\n\n\n\n

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The Birth of <\/strong>Ens\u014d<\/strong> <\/strong>designs<\/strong><\/p>\n\n\n\n

Ens\u014d fashions made its debut on 1st November 2024 at the \u2018Stage Fashion Showcase\u2019, barely three months after its proprietor embarked on his journey of transforming raw textures into wearable art. <\/p>\n\n\n\n

According to Sakorn, the exhibition was a great success, despite him having one Kimono line to showcase.<\/p>\n\n\n\n

Henceforth, the brand made appearances at different events\u2013including the JABA opening night, where its unique designs and style caught my attention. From the fabric to the models, logo, and presentation. All things top-notch.<\/p>\n\n\n\n

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In an exclusive interview, Sakorn expounded on what a Kimono is: \u201cUnless there\u2019s a band or a rope\/obi (belt), it\u2019s not a kimono.\u201d He further noted that, \u201cThe garment originated from China before it spread to Korea and Japan. Even so, each country wears it differently, depending on their culture and material used.\u201d<\/p>\n\n\n\n

This absolute mastery of the outfit has enabled Sakorn to meticulously craft apparels that cater for divergent genders, tastes and occasions in a brief span of time.<\/p>\n\n\n\n

The store, located at Mundi center, adjacent to Depot 37 is home to all kinds of Kimonos\u2014Yukata (unlined cotton summer kimono worn in casual settings), Cardigan jackets (made with a collar) and Hussions (have hoodies), with more styles like the \u2018body armor\u2019 in the pipeline. <\/p>\n\n\n\n

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These cost between 75,000frw (seventy thousand Rwandan francs) to 400,000frw (four hundred fifty thousand Rwandan francs) a piece. When asked why the price is inflated, Sakorn disclosed that his type of fabric, plus the way he sews the kimono is remarkable.<\/p>\n\n\n\n

\u201cMy material is a mixture of cotton, wool and silk. Combined, they create a richly unique pattern known as the \u2018Kilim\u2019. With a meter priced at 35$ (thirty-five US Dollars), yet I need at least three to make one piece. Not to mention the time and passion invested, I think the pricing is more than fair,\u201d he explained.<\/p>\n\n\n\n

He however stressed that the pricing is highly determined by the material used. Garments tailored from Moroccan carpet (100% wool), Ashoka from Nigeria, Pakistan linen, original Kente from Ghana, among others will always cost more than those made with \u2018kitenge\u2019 from say Rwanda, Burundi or Congo.<\/p>\n\n\n\n

Beyond Kimonos, Ens\u014d fashions craft ninja trousers, shirts, overall coats, shirt-dresses, and everything \u2018streetwear\u2019. Now if you\u2019re like me and thought \u2018streetwear\u2019 refers to \u2018rugged\u2019 wear, you may need to think again. <\/p>\n\n\n\n

According to Sakorn, streetwear is all about expression. It\u2019s about striking the balance between comfort and personal branding\u2013how you want people to perceive you.<\/p>\n\n\n\n

\u201cFor me street wear integrates art, expression and confidence. What makes it streetwear, is that we take an elegant piece, turn it into casual to fit someone\u2019s style,\u201d he stressed.<\/p>\n\n\n\n

What makes <\/strong>Ens\u014d fashion stand out<\/strong><\/p>\n\n\n\n

The term “Ens\u014d,” which means “circle” in Japanese, is an important symbol in Zen Buddhism. The Kanji characters that make up the word reflect ideas of unity and interconnectedness. Ens\u014d fashions\u2019 style of streetwear\u2013a blend of Africa and Asia, thus aims to \u2018bridge the gap\u2019 between the two continents, says Sakorn. <\/p>\n\n\n\n

The brand name, “Ens\u014d,” is a dedication to his firstborn son, Enso Nicolas Somboon, further symbolizing the circle of life and the continuity of heritage. In his own words, “I want everyone to understand that living in harmony without judgment is possible.”<\/p>\n\n\n\n

This made in Rwanda brand incorporates movement into fashion to produce \u2018fashiotainment\u2019, a cross-culture of expression and movement. When they grace the runway, Ens\u014d models defy the conventional catwalk. Instead, their movements blend fluid walking with rhythmic, dance-like gestures, creating a performance that is both captivating and expressive. <\/p>\n\n\n\n

When it comes to the logo, it\u2019s a bold centerpiece. Plastered in oversized typography at the back of each piece, it adds a sense of identity and power to the creation, ensuring that every look command attention both on and off the runway.<\/p>\n\n\n\n

Moreover, each piece in the collection is crafted as a one-of-a-kind edition, ensuring exclusivity and individuality of the wearer. This bespoke approach not only highlights the brand\u2019s commitment to innovation but also gives its audience the opportunity to own a wearable piece of art, tailored to stand apart in a sea of repetition.<\/p>\n\n\n\n

Looking Ahead<\/strong><\/p>\n\n\n\n

A firm believer of expression, Sakorn underscores the need for Africans to embrace black heritage, stating that it is enchanting. \u201cBlack heritage is truly remarkable! It’s puzzling why some would shy away from it, especially considering that Africa is the cradle of all human evolution,\u201d he remarked.<\/p>\n\n\n\n

As for him, he pledged to continue his work of meticulously designing garments with an attention to detail, making each creation a unique masterpiece. <\/p>\n\n\n\n

To fellow designers, Sakorn encourages you to foster a spirit of support and collaboration, rather than viewing emerging talents as rivals. <\/p>\n\n\n\n

\u201cIf you don’t appreciate someone’s craft, it’s better to keep it to yourself, because harsh words can potentially harm their career,\u201d he said. Referencing a tale of three monkeys\u2013one covering its ears, another the eyes, and the third one the mouth. Hear no evil, see no evil, speak no evil\u2013the modern version of \u2018we listen, we don\u2019t judge.<\/p>\n\n\n\n

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You don\u2019t have to be a \u2018fashionista\u2019 to have a piece\/s of Kimono\u2013suspended in gentle repose, on a rod in the quiet corners of your wardrobe. 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